Shepherd's Check

 Shepherd's check is a traditional pattern that works well for chenille since it is a balanced weave with a float length of one.  It also seemed like an easy/quick break from brain storming an upcoming yardage project.  I put on a warp of royal blue alternating with grassy green and gold.

Once I started weaving the check, it seemed a little too traditional so I decided to use the check (with a couple of variations) only at the ends of the scarves.  The center of each scarf was woven in plain weave which produces a stripe.  The interesting attribute of the stripe is that the edge is wavy and it looks like a rib in the fabric.


The finished scarves look more interesting when worn due to the look of texture in the stripe.  I may go back to this pattern and do some more scarves in school colors.

This amazing picture is of the installed Ground Cover Public Art Project in Phoenix, Arizona.  The flower picture was created from 300 blankets made in various fiber forms.  The blankets will be donated to homeless people after installation.

Fabulous.

Orchard Boundweave

The boundweave has been gifted and the recipient totally loved it!  Whew!  It was a little crazy to take on something new for a gift, however, I learned so much during the process that I already have plans for a #2 in the series.

The piece (from top to bottom) has a blue sky over some small mountains.  Next is the apple orchards with apples falling into the press and the juice flowing from the press into bottles.  I used some beads (hand applied) to create some effervescence above the glasses.

Nothing more rewarding than a gift well received!

Pictorial Boundweave

Family health issues have keep me away from posting.  But I have tried to keep a project on the loom so that I can decompress with my favorite pastime.

Boundweave is known as very slow weaving.  Multiple weft shots pack down to create one finished row.  The weaving gets even slower with pictorials made using a point twill threading on 8 shafts.  Each shaft is raised in order (either forward or reverse) and a weft shot deposits one "pixel" of color over the warp for that shaft.  After 8 picks, one row is formed.  Repeat.

I choose boundweave for this project because I was not ready to tackle the basics of tapestry weaving, and I am a fan of folk art.  The boundweave creates folk art like pictures that can be used to construct a theme or story.  When the piece is complete, it will be easier to see the story so I will explain it at that time.

This is my first attempt at pictorial boundweave.  I have long admired the figures and motifs that other weavers have created for cards and wall hangings.  There has been a steep learning curve on the right yarns to use.  Also so much fun to watch the pictures emerge.

It is the right time to have a slow project on the loom!

Turquoise and Red for Summer POP!

 

My eye latched on to some fabric in turquoise with red stripes.  The colors seemed to capture the summer sky and sizzle of hot temps.  I thought it would make a very sweet mini wrap.

After much research, mostly on ways to maximize the warp stripe, I decided on a warp faced plain weave done in bamboo.  I added a few silver threads for sparkle.

The project was very quick to weave and finish in with a mobius twist.

The colors as shown in the warp photo are closer to the actual colors. (I am still working on my photo retouch skills). Cute and just right to warm the shoulders.

Study Group Yardage

I have been in a recently formed study group for a few months.  Our focus is yardage for use in garments, although making the garment is optional.  To make our first project easier, we chose to use twill structure ... not much of a restriction there.  I knew I wanted to do a jacket or a vest.  Since I prefer more fitted styles, I chose a broken twill that would not require too much extra effort to match a pattern.

I also found a threading/treadling that produced different front and back pattern.  I have my yardage complete and as you can see from the photo, I will be able to use the front (on right) for the body, and the reverse (on left) for the shawl collar.

I hope to have the garment complete in the next few weeks since the weight will be great for spring/fall.  Will post pics.

The warp is rayon chenille, sett at 18epi.  The weft is rayon chenille.

Boundweave rug

I finally finished my boundweave "sampler".  And even though it is slow weaving, I love the result.

This is the rug that was in progress when the harness cord broke.  I did three rugs as a sampler to try boundweave.  I used carpet warp for the warp and three strands of cotton chenille for the weft.  While I know cotton chenille will shrink in the 15-20% range, I forgot to consider the longer floats would contribute to shrinkage.  After washing, there was a definate 20% shrinkage in width.

The cotton chenille creates a fluffy, thick rug which I like.  If I use cotton chenille again for boundweave, I will choose a pattern that minimizes floats, use a closer sett (this was 10epi) or add in some plainweave to reduce shrinkage.

Equipment failure

As I was coming to the end of my boundweave rug warp, I pressed a treadle and one of my harness cords gave up!  I probably should have checked them before starting the rugs.  Luckily I had some appropriate cord and was able to fix this in about one hour.  I may make up a few spares to have handy for the next time.

As an aside, it is funny how weavers often treat their warp like it is fragile.  I can tell you this warp was no worse off for its one hour supporting those harnesses.

Blanket for Boy Baby

In the past few years I have done a number of baby blankets ... all for girls.  It was a welcome change to do a boyish one this time.  This was also one of my fastest projects. On and off the loom in 2 days!

The cotton warp is yellow and white  stripes in a twill threading. The cotton weft is a pale blue.

I love the way the jungle animals on the binding peek out.  The mom-to-be loved it too!

Another blanket is in the finishing process and will be posted soon.

Then on to some yardage.

Tabby, Tabby, Twill

Getting projects completed has been slow so far this year!  I just completed the last of three chenille scarves, twisted the fringe and wet finished.  The warp is rayon chenille using three colors.

I used three different wefts. Far left is a pale yellow chenille weft in plain weave.  Middle is a silver/blue bamboo also in plain weave.  The scarf on the right is a pale grey tencel in straight twill.

The photo does not really show the difference in sheen.  As expected, the tencel scarf has the most and the all chenille has the least.  The tencel has a very silken look.

Two of the scarves are gifts, and the one in the middle I will keep for a fresh spring look!

You got me going in circles

My friend B made a stop at Yarn Barn last summer and picked up some lovely dyed bamboo.  The skeins were dyed in various, variegated colorways.  I had asked B to get a blue/green, which she did, but she also picked up a red/orange skein.  I decided to use the red/orange in a draft that has been sitting in the to-do pile for some time.

The draft is for a four shaft twill that creates a pattern that reminds me of little medallions.  I love that it is only four shaft for ease of setup, yet the finished scarf looks much more complex.  The scarf pictured was done with a black wool/silk weft.  I did a second scarf with navy wool weft.  I was very pleased with the result and think this pattern will become part of my regular rotation.

More yarn

Like all fiber addicts I have lots of yarns.  One needs to have choices.  Sometimes I buy retail from shops either in my area or when I am traveling, but usually I order online.  Over the years I have ordered from WEBS.

Recently I found myself in western Mass and realized that it was WEBS country so I scheduled time for a stop.  Everyone in the area seemed to know about WEBS and gave it positive reviews.  PLUS, they have a very comfortable waiting area for the spouses.

I went online and made my list based on what was in stock. Since I was traveling by air, I tried to keep my selections down to a couple of pounds.

It is a very large building and has a dizzying selection of yarn, equipment and books.  I really had fun wandering through the front showroom, and the back warehouse.  I was able to get just about everything on my list.  Also, the sales folk were very helpful and pleasant.

My one tip, which may only apply if you are looking for cones, is that you should call ahead to make sure they have what you need at that location.  I was unable to find the navy alpaca/silk that had been listed as in stock on the website.  When I asked I found out that they have another warehouse (I want to browse through that one) that has all the overflow.  If it is not in the retail warehouse you have to order.

I wish I had a WEBS in my neighborhood!

Too Subtle

I wanted to try a shadow weave in chenille.  I decided to do a sample to evaluate the colors I wanted to use, the structure (sett, ppi) and the effort required to produce one scarf since shadow weave requires two shuttles.

This is one time that the sample really paid off since the colors I chose do not provide enough contrast to really appreciate the effort.  As you can see from the picture, the pattern -- diamonds --is barely visible.  A little too subtle....for me.

I know someone will love it.

Cotton Chenille Boundweave Rug

cotton chenille boundweave

I started weaving more when I got hooked on rugs.  First it was rag rugs. Then I took a class with the wonderful and talented Jason Collingwood.  His class took me from cotton warp and rags into linen warp and wool.  In addition, I learned precious technique tips.

Recently, I decided I needed to try Boundweave rugs.  I had been reading Clotilde Barrett's "Boundweave" and it seemed natural to try the sampler in the book by making some rugs.  I am using a cotton rug warp with 3 strands of cotton chenille as weft.  Since I expect at least 10% shrinkage from the weft I chose a 36 inch width.

I have finished one rug.  I am trying a variety of color sequences as per the sampler from the Barrett book.  Doing on-the-fly 'design' is quite stressless!  Even though boundweave is slow, it is satisfying to watch the patterns emerge.

Diversified Plain Weave Not too Scary

The diversified plain weave scarves are off the loom, wet finished and fringe is almost complete.  I am very happy with the results! (And so is my study group buddy)

The grid formed by the black 20/2 cotton thin warp/weft
really locks down the chenille so that structures with multiple thread floats are possible.  Magical!  The finished fabric has a lovely drape.

I have ideas floating around in my head for over sized designs in chenille.

The over sized houndstooth was the study project but I try to put on enough warp for 2 (or more) of any project.  I decided to only use one color weft for the second scarf which gets rid of the color-and-weave effect.  AND, weaves more quickly. I choose a brighter shade of orange since the black grid tones down the colors.  That scarf is shown on the left  It came out looking more interesting than I could have guessed, and more complex.

My study buddy and I both agree that we are going to try this structure again since it really opens up the possibilities for chenille because it takes out the worming problem.

 This project is based on an article published in the May/June 2012 issue of Handwoven magazine.  The draft to the left is snipped from the draft program I use.  NOTE: the draft only shows the chenille threads.  The actual threading also requires two threads of 20/2 cotton, threaded on shafts 1 and 2, before each chenille thread.

Scary slow progress

Usually my slow progress is because life gets in the way of weaving.  For my current (and first) diversified plain weave project the slow progress is because I found I needed to slow down my weaving.

I am probably about average in weaving speed.  Since I am a hobby weaver, I can go at a consistent pace that is not overly tiring.  With this project I need to take extra care with my beat and advance my warp more often.

I am very happy with the look of the piece as it takes shape. It really looks like fiber pixels.  I love the oversized design in chenille.  ( You may recognize this as Susan Poague's  project from Handwoven Mag #160) And so far tension has not been an issue.

Maybe I will have this done by Halloween!

Scary Warp

No this is not the scary warp because of the halloween colors.

This is my first attempt at a diversified plain weave.  I warped using chenille as the thick fiber and 20/2 cotton as the thin fiber.  I tend to be a perfectionist and the process of winding the chenille with the unruly 20/2 pushed me to my limits of maintaining order.  Not only is this my first diversified plain weave, it is also my first time using 20/2 in the warp.

A friend and I decided that our summer study would be diversified plain weave since neither of us really understood the structure.  Once we realized that it creates a stabilizing grid, the chenille project seemed a natural.  My friend B does a lot of chenille weaving and is looking for a way to ... well, diversify.

The project will produce two scarves.  The black and orange color choice came from school colors for scarf one.   So the same colors will be used for weft.  For the other scarf I am thinking of using something much redder with the black to tone down the halloween look.

Although as I begin the weaving process it is nice to be thinking of the cooler days of Fall!

Pink Blanket with Binding

Saturday was the shower for parents-to-be of a baby girl. I did an M&O blanket for the new baby.  It has a white cotton warp with a pink perle cotton weft.

I like to add binding to the edges of my blankets to avoid fringe. I like the binding to add some visual interest so I usually make my own bias binding from cotton fabric.  I chose a stripe with baby colors since I was not sure what the nursery decor would be.

I am happy to report that the parents-to-be loved the blanket.  I hope baby will too.

My daughter asked me to make a shrug. I think of shrugs as knit items, but was willing to try a woven version. I decided to work in chenille so that I could put on a long warp and use it for another project. I used a straight twill structure. The warp is fuschia, the weft is purple.

I was not sure about the correct dimensions so I fudged them using a sewing pattern as the model.  I, and more importantly my daughter, thought it came out really well!  I left a very short fringe at the wrist, but would probably go with a hem in the future.  Also, I this was not woven doubleweave so there is a seam under the arm.  I will b trying a doubleweave and different fiber on the next experiment.

M&O Baby Blanket

Cold season sidetracked me for a bit. Now that I am feeling better I have returned to the baby blankets. I am using a lovely 'kinked' white cotton for my 39" wide warp. You could not believe how soft this cotton is even before wet finish. I picked up this yarn from a local retail knitter. (I should have bought more ;) ) The warp is long enough for two blankets.

The weft is a variegated cotton flake from Yarn Barn. I was not sure if I would like the pastel variegation, but I really am pleased with the result. It seems perfect for the gender neutral blanket. Hopefully I have enough of the cotton flake for both blankets. Maybe I need to do a yarn order ....